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EIFF 2012: One. Two. One (Mania Akbari, 2011)

July 16, 2012

One-Two-One-Mania-Akbari-2011

Iranian actress-director Mania Akbari’s latest film is a hypnotising mood piece, rooted in both experimental and theatrical styles. Composed entirely of less than fifteen long takes of varying lengths, the film presents a series of vignette conversations and encounters concerning people connected to a specific young woman named Ava. The film follows her journey to regain self confidence after her face is disfigured via an acid attack courtesy of her ex-lover, in a society that elevates the importance of female physical beauty. In addition to the theme of self-worth rejuvenation, the film also concerns the complications inherent in relationships.

As each vignette unfolds, more of Ava is revealed in both figurative and literal senses. Her time in the film begins with her in a spa, where her damaged face is covered by a mask. It then progresses to her encounters while having to don a large eye patch during her gradual healing process, and finally concludes with her meeting a suitor in a cable car. Flashes of increasing colour in both her clothing and make-up denote the freedom she has achieved by the film’s end, though the narrative’s finale is suitably ambiguous so as not to suggest the journey or relationships could be or ever have been simple…

Full review at Sound on Sight

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