Looper (Rian Johnson, 2012)

September 28, 2012

Of its numerous strengths, one of Looper’s greatest is that, despite featuring narration by its lead character, it heavily relies on visual storytelling to successfully convey both information and emotion. The narration delivers as little exposition as necessary to begin understanding both of its dystopian worlds, and its characters, respecting the viewer’s intelligence and leaving further comprehension down to them. In no way does this make Looper’s fictional world, one of time-travel that blends sci-fi and crime film conventions, feel at all under-realised. The world is, in fact, fully rendered and often beautifully so: see a montage depiction of one key player’s past, or rather future, that spans years but is completely without dialogue, motivations becoming clear for the viewer long before this character needs to spell it out for his younger self much later in the film. Additionally of note is a horrific but gloriously executed sequence of torture, also dialogue-free, that conveys the narrative’s logic regarding time travel and the effects actions in the film’s present can still have on one’s future self…

Full review at Sound on Sight


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